By Alan Chapman
The writer assumes no earlier wisdom, just a willingness to discover what magick deals, but it’s obvious to someone with a heritage within the topic that Alan Chapman is drawing on quite a lot of adventure, from classical Crowleyean Magick to japanese metaphysics, and again back to Discordianism and Chaos Magick. Chapman’s writing-style is funny, direct, seductively logical, and his enthusiasm for the advantages of magick is either tangible and infectious.The beginner magician will certainly locate themselves built to start every type of magickal operations: trance paintings, attraction, divination, or even a number of the greater different types of non secular improvement. To skilled magicians, Chapman bargains a subtler problem: he revitalizes magick via slicing it loose from the intense relativism Chaos Magick bequeathed, provocatively redefining it as: “the artwork, technological know-how and tradition of experiencing truth.”
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Extra info for Advanced Magick for Beginners
Like any other magical act, it does what you decide it does within the ritual. But it is bliridingly obvious that you can enter an altered state, 'charge' a sigil, and get a result, without even being aware of any explanation, or working within an aesthetic such as the subconscious or energy models. Independent from artistic considerations then, let's consider what is actually experienced during a ritual using gnosis. Gnosis, or an altered state of consciousness, only becomes part of a magical act at the moment you undergo the experience you have decided means the same thing as your desire.
Prometheon became Potatoface the Slowly Reclining, and magick became a bit of a laugh. Magick also attracts yahoos like flies to shit, and there are too many ham magicians out there who think themselves too damn funny. GET OVER IT So is the magical name more than just a device for hamming it up? Once we get past the allure of magical culture, a magical name or motto serves a very specific and irrefutable magical function, and the funny or serious nature of a name bears this out. The magical name is the sum of the magician's approach, understanding and experience of magick.
3. Decide that the dance means the same thing as your statement (you can do this by saying your statement out loud just before step 4— this is sometimes known as a ''statement of intent'). 4. Dance for ten minutes (or longer if you just can't help yourself). 5. Record the result. WHITE VAN M A N Everything so far, although capable of delivering the goods, isn't really... exciting, is it? I mean, how corny is a rain dance? And after your 103rd sigil, the fun in imagining a couple of lines and a squiggle tends to wane a little, doesn't it?
Advanced Magick for Beginners by Alan Chapman